Abbreviated Pietà
2021
1300 lbs of unfired clay, resin, epoxy, Carrara marble, and facsimile copy of the head of Michelangelo’s Pietà.
66" x 45" x 49"
Abbreviated Pietà
2021
1300 lbs. of unfired clay, resin, epoxy, Carrara marble, and facsimile copy of the head of Michelangelo’s Pietà.
66" x 45" x 49"
Detail of Abbreviated Pietà's deconstruction
2021
1300 lbs. of unfired clay, resin, epoxy, Carrara marble, and facsimile copy of the head of Michelangelo’s Pietà.
66" x 45" x 49"
Mold of pregnant torso with a detail image of the Pietà
2021
Archival inkjet print
11 1/8" x 16 1/2"
Pregnant torso standing over head of the Pietà
2021
Archival inkjet print
11 1/8" x 16 1/2"
Pregnant torso resting with head of the Pietà
2021
Archival inkjet print
11 1/8" x 16 1/2"
Pregnant torso with head of the Pietà against mirror and sky
2021
Archival inkjet print
11 1/8" x 16 1/2"
Postpartum torso with head of the Pietà
2021
Archival inkjet print
11 1/8" x 16 1/2"



Postpartum torso with head of the Pietà doubled
2021
Archival inkjet print
11 1/8" x 16 1/2"
Becoming a Sculpture
2019
Becoming a Sculpture
2019

Solo exhibition at Simone DeSousa Gallery

Photo: Clare Gatto

Attempting Accroupie
2019
Porcelain, unfired clay, painted steel and nail polish
34 ½ x 20 ½ x 37 ½ in


Solo exhibition at Simone DeSousa Gallery

Photo: Clare Gatto

Attempting Accroupie (detail)


Solo exhibition at Simone DeSousa Gallery

Photo: Clare Gatto

Becoming a Sculpture
2019

Solo exhibition at Simone DeSousa Gallery

Photo: Clare Gatto

Load bearing leg in the posture of Crouching Venus
2019
Porcelain, unfired clay, painted steel and nail polish
20 x 20 x 7 in


Solo exhibition at Simone DeSousa Gallery

Photo: Clare Gatto

Load bearing leg in the posture of Crouching Venus (detail)


Solo exhibition at Simone DeSousa Gallery

Photo: Clare Gatto


Thighs in slight Contrapposto
2019
Porcelain and unfired clay
30 ½ x 16 ½ x 9 in


Solo exhibition at Simone DeSousa Gallery

Photo: Clare Gatto

Thighs in slight Contrapposto (posterior view)


Solo exhibition at Simone DeSousa Gallery

Photo: Clare Gatto

Left foot poised between movement and repose
2019
Porcelain, unfired clay and nail polish
8 x 9 ½ x 5 ½


Solo exhibition at Simone DeSousa Gallery

Photo: Clare Gatto

Left foot poised between movement and repose (detail)
Left hand and leg positioned at rest
2019
Porcelain and nail polish
15 x 19 ½ x 6 in


Solo exhibition at Simone DeSousa Gallery

Photo: Clare Gatto

Becoming a Sculpture
2019
Archival inkjet prints and tape
34 ½ x 52 ½ in


Solo exhibition at Simone DeSousa Gallery

Photo: Clare Gatto

Becoming a Sculpture (detail image 6)
Becoming a Sculpture (detail image 5)
Eyetrophy with bilateral symmetry
2018
Aluminum
22.5 x 18.5 x 7 inches
Still life of ocular openings
2018
Pigmented porcelain, Aluminum, and glass lenses
10 x 29 x 18 inches
Like the curl of a dried leaf holding the yoke of an egg
2018
Bronze, silicone, dried clay, and protein powder
7 x 6.5 x 8.5

Installation with Nolan Simon from the exhibition At Large at Reyes Finn



Photo: Clare Gatto

The Fingertip is an Image Forming Organ of Sight
2018
Binaural audio recorder made with silicone and marble dust, ophthalmic chin rest, 3D print from brain scan, silicone with pigment, fiber resin, pigmented porcelain, stoneware ceramic, steel, polished aluminum, aluminum with milk of magnesia patina, and plaster

Solo Exhibition at Coop Gallery

The Fingertip is an Image Forming Organ of Sight (Detail)

Solo Exhibition at Coop Gallery

The Fingertip is an Image Forming Organ of Sight (Detail)

Solo Exhibition at Coop Gallery

The Fingertip is an Image Forming Organ of Sight (Detail)

Solo Exhibition at Coop Gallery

The Fingertip is an Image Forming Organ of Sight (Detail)

Solo Exhibition at Coop Gallery

The Fingertip is an Image Forming Organ of Sight (Detail)

Solo Exhibition at Coop Gallery

The Fingertip is an Image Forming Organ of Sight (Detail)

Solo Exhibition at Coop Gallery

The Fingertip is an Image Forming Organ of Sight (Detail)

Solo Exhibition at Coop Gallery

The Fingertip is an Image Forming Organ of Sight (Detail)

Solo Exhibition at Coop Gallery

Collecting binaural audio recordings in Penobscot Bay, Maine
2016
Collecting binaural audio recordings in McKenzie Pass, Oregon
2016
Grafting the Pupil to the Fingertip
2016
Binaural audio recorder made with silicone and marble dust, 3D print from brain scan, ophthalmic head restraint, books, silicone with pigment, pigmented porcelain, graphite, steel, stoneware ceramic, polished aluminum, aluminum with milk of magnesia patina, and plaster
48 x 72 x 19 inches

Grafting the Pupil to the Fingertip is a multilayered, collaborative project between visual artist Kylie Lockwood and Daryn R Banc-Goldhammer of the Department of Cognitive Neuroscience at the University of Oregon. Focusing on investigations in perception Lockwood and Blanc-Goldhammer worked together to develop this work whose central component is a binaural audio recorder cast from the artist’s head.This sculptural devicecreates a binaural soundscape, exploring the space between a first hand experience of place and the mediation of that experience though a surrogate self. The Oregon Arts Commission’s Percent for Art in Public Places Program commissioned this work through the Third Culture Projects: a series created to invite collaborations between artists and scientists to bridge the gap between their disciplines. The work is on permanent display at the Lewis Integrative Science Building at the University of Oregon.

Grafting the Pupil to the Fingertip

Permanent installation at the Lewis Integrative Science Building at the University of Oregon

Grafting the Pupil to the Fingertip (Detail)

Permanent installation at the Lewis Integrative Science Building at the University of Oregon

Grafting the Pupil to the Fingertip (Detail)

Permanent installation at the Lewis Integrative Science Building at the University of Oregon

Grafting the Pupil to the Fingertip (Detail)

Permanent installation at the Lewis Integrative Science Building at the University of Oregon

Grafting the Pupil to the Fingertip (Detail)

Permanent installation at the Lewis Integrative Science Building at the University of Oregon

Grafting the Pupil to the Fingertip (Detail)

Permanent installation at the Lewis Integrative Science Building at the University of Oregon

Statue Maker, exhibition with Rebecca Gilbert at Cleopatra's

Porcelain Legs in the Posture of David
2016
Pigmented porcelain, unfired clay, nail polish, plastic bag
27 x 25 x 17.5 inches

Exhibition with Rebecca Gilbert at Cleopatra's

Porcelain Legs in the Posture of David
2016
Pigmented porcelain, unfired clay, nail polish, plastic bag
27 x 25 x 17.5 inches

Exhibition with Rebecca Gilbert at Cleopatra's

Stacked Fragmented Hands
2016
Pigmented Porcelain
1 x 3 x 8 inches

Exhibition with Rebecca Gilbert at Cleopatra's

Head for Binaural Audio Recordings
2016
Silicone, marble dust, ophthalmic chin rest, steel, and plywood
64 x 12 x 14.5 inches

Exhibition with Rebecca Gilbert at Cleopatra's

Detail of Head for Binaural Audio Recordings
2016
Silicone, marble dust, ophthalmic chin rest, steel, and plywood
64 x 12 x 14.5 inches

Exhibition with Rebecca Gilbert at Cleopatra's

Still Life on Pillow
2016
Ink, pillowcase, fiber fill, pigmented porcelain, shell, fiber resin with dried clay and fiber powder, aluminum with milk of magnesia patina
11.5 x 28 x 19.5 inches

Exhibition with Rebecca Gilbert at Cleopatra's

Detail of Still Life on Pillow
2016
Ink, pillowcase, fiber fill, pigmented porcelain, shell, fiber resin with dried clay and fiber powder, aluminum with milk of magnesia patina
11.5 x 28 x 19.5 inches

Exhibition with Rebecca Gilbert at Cleopatra's

Porcelain Thighs
2016
Pigmented porcelain
18.5 x 15.5 x 10 inches

Exhibition with Rebecca Gilbert at Cleopatra's

Detail of Porcelain Thighs
2016
Pigmented porcelain
18.5 x 15.5 x 10 inches

Exhibition with Rebecca Gilbert at Cleopatra's

Folded
2013
Pigmented porcelain and cotton t-shirt
2.5 x 11 x 14 inches
Cast of Navel
2013
Pigmented porcelain
3.5 x 3.25 x 1.25"
Untitled
2015
Dog hair and rug
2.5 x 24 x 16 ¾ inches
Installation shot from Thinking Colon at Popps Packing
Installation shot from Thinking Colon at Popps Packing
Contrapposto Base
2014
Clay, plastic bag, pigmented porcelain and nail polish
10 x 9 x 9 inches
Coke Bath 2015 Plastic measuring container, plaster and diet coke 6.5 x 6 x 5 inches Punctured Amphora 1 2015 Porcelain 9.5 x 8 x 8 inches Digestive Object 4 2014 Denim, silicone, non-dairy creamer, protein powder and fiber supplement 5 x 9.5 x 7 inches
Concrete Poem 1
2015
Concrete and jeans
16.5 x 8.5 x 8.5 inches
Digestive Object 3
2015
Silicone, ground peanuts and non-dairy creamer
3.5 x 4.5 x 4.5 inches
Probiotic Massage
2015
Pigmented porcelain, jojoba oil and probiotic supplement
10.5 x 12 x 6 inches
Probiotic Massage (Detail)
Canopic Jar with the Head of Duamutef
2015
Diet coke bottle, clay, plaster mixed with diet coke.
13 x 10 x 4.5 inches
Concrete Poem 7
2015
Concrete and knit tubing
21.5 x 16 x 16 inches
The Interior Skin of Protective Objects
2015
Silicone, protein powder, fiber supplement and dried clay
36 x 28 x 45 inches
Detail of The Interior Skin of Protective Objects
Pressure applied with palm
2015
Couch cushion, acrylic hardener, urethane, concrete, pigmented porcelain and nail polish
32 x 23 x 19 inches
Pressure applied with palm (Detail)
Concrete Poem 10
2015
Concrete and clothing
12 x 9 x 9 inches
Concrete Poem 9
2015
Concrete and clothing
13 x 10 x 10 inches
Gesturing Object
2015
Silicone, protein powder, fiber supplement, dried clay, leaves
9.5 x 3.5 x 3.5 inches
Concrete Poem 4
2015
Concrete and clothing
6.5 x 11 x 11 inches
Broken Amphora with Bread Substrate
2015
Porcelain and bread clay
14 x 9 x 9 inches
Concrete Poem 5
2015
Concrete and clothing
17 x 11 x 11 inches


All images copyright Kylie Lockwood.